Details, Fiction and Bhagati Saran
Details, Fiction and Bhagati Saran
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विषय उपन्यास, कहानी, कविता, संस्मरण, साहित्य आलोचना, नाटक, पत्रकार।
भूले बिसरे चित्र साहित्य के सिद्धांत तथा रूप (साहित्य आलोचना)
further more, our range of acrylic products is fabricated with quality solutions As well as in accordance with Global quality standards. These solutions are commonly appreciated for his or her salient options. Some of them are as follows:
This meant either that "Registered stockholders " were being wholly outdoors the class of sellers ruled by the notification or that they have been meant to be A part of the residuary course in column III. On these premises realized Counsel urged that if " registered stockholders " like the next appellant were not inside the notification, the prosecution have to fall short because the optimum charges chargeable by her experienced not been fastened. If Alternatively these types of dealers had been divided from " Controlled stockholders " and A part of the residual group, this kind of classification wasn't countenanced by cl. eleven-B(1) and was hence ultra vires.
The notification was not discriminatory and didn't offend artwork. fourteen of your Structure. The notification without a doubt permitted the grant of credit rating services and the proper to demand for slicing and wastage in sales to " managed stockholders " although not to " registered stockholders " in regard to revenue by them.
मैं मुख्य रूप से उपन्यासकार हूँ, कवि नहीं-आज मेरा उपन्यासकार ही सजग रह गया है, कविता से लगाव छूट गया है।
the final issue That continues to be for being dealt with, is the contention the initiation from the prosecution versus the appellants was invalid for non-compliance with the requirements of s. eleven from the Act. This segment runs :
Besides the ground depending on a non-compliance with s. eleven from the Act which we shall contemplate later, learned Counsel urged right before us two details with reference towards the notification issued from the metal Controller fixing the utmost charges at which the numerous categories of iron and steel can be sold by producers and stockholders. These had been: (one) the notification with the Controller dated July one, 1952, for that contravention of which the appellants ended up staying prosecuted, was ultra vires the rule-earning ability conferred upon him by el.
Differentiation was not for each se discrimination. There was no material to point out that there was any unfair or irrational discrimination which could entice Art. fourteen.
578 Rex (one). each these were cited before the acquired Judge and we agree Together with the way by which he has addressed and distinguished them. No doubt, in both equally these situations it had been held which the prerequisite of r. a hundred thirty (1) of the Defence of India Rules (whose language was much like is. 11 of your Act) as into the Statement of " info constituting the contravention " wasn't complied with, but the " stories " addressed in them, bear no resemblance to the report in the case before us.
सामग्री पर जाएँ मुख्य मेन्यू मुख्य मेन्यू
1961. January 20. The Judgment on the court docket was shipped by AYYANGAR, J.-Having read the learned Counsel with the appellants in whole we did not contemplate it required to call over the respondent since, we ended up Evidently 565 with the impression that the contentions raised inside the attractiveness possessed no advantage.
The argument upcoming Superior in obstacle of your validity in the notification was, that a few of the basic problems appended on the notification were discriminatory of The category of "registered stockholders" as compared While using the " controlled stockholders " invoking for this intent Art. 14 of the Structure.
कोई उनसे सहमत website हो या न हो, यह माने या न माने, कि वे मुख्यत: उपन्यासकार हैं और कविता से उनका लगाव छूट गया है। उनके अधिकांश भावक यह स्वीकार करेंगे कि सचमुच ही कविता से वर्माजी का सम्बन्ध विच्छिन्न हो गया है, या हो सकता है। उनकी आत्मा का सहज स्वर कविता का है, उनका व्यक्तित्व शायराना अल्हड़पन, रंगीनी और मस्ती का सुधरा-सँवारा हुआ रूप है। वे किसी 'वाद' विशेष की परिधि में बहुत दिनों तक गिरफ़्तार नहीं रहे। यों एक-एक करके प्राय: प्रत्येक 'वाद' को उन्होंने टटोला है, देखा है, समझने-अपनाने की चेष्टा की है, पर उनकी सहज स्वातन्त्र्यप्रियता, रूमानी बैचेनी, अल्हड़पन और मस्ती, हर बार उन्हें 'वादों' की दीवारें तोड़कर बाहर निकल आने के लिए प्रेरणा देती रही और प्रेरणा के साथ-साथ उसे कार्यान्वित करने की क्षमता और शक्ति भी। यही अल्हड़पन और रूमानी मस्ती इनके कृतित्व में किसी भी विधा के अंतर्गत क्यों न हो जहाँ एक ओर प्राण फूँक देती है, वहीं दूसरी ओर उसके शिल्प पक्ष की ओर से उन्हें कुछ-कुछ लापरवाह भी बना देती है। वे छन्दोबद्ध कविता के हामी हैं, उसी को कविता मानते हैं, पर यह उनकी सहज स्वातन्त्र्यप्रियता के प्रति नियति का हल्का, मीठा सा परिहास ही है।
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